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Kizomba
is one of the most popular styles of dance and music in the
lusophone African countries. Sung in Portuguese or Portuguese
creole, it is a genre of music with a romantic flow mixed
with African rhythm. The kizomba dancing style is also known
to be very sensual.
Kizomba is native to Angola, with influences from other Lusophone
countries. It is also performed in other lusophone African
countries and Portugal. It is known for having a slow, insistent,
somewhat harsh, yet sensuous rhythm, and is considered to
be a fusion of semba (a predecessor of samba) with other musical
styles, namely Zouk. It is ideally danced accompanied by a
partner, very smoothly and slowly, though not too tightly.
A rather large degree of flexibility in the knees is required,
owing to the frequent requirement that dancers bob up and
down in a manner reminiscent of a music-hall policeman.
The influence of Angolan kizomba is felt in most Portuguese
Africa, but also Portugal (mostly in Lisbon and surrounding
suburbs such as Amadora or Almada), where communities of immigrants
have established clubs centered on the genre in a renewed
kizomba style. Kizomba is now also quite popular among white
people that come to these clubs in growing numbers.
In Angola most clubs are based in Luanda. Famous Angolan kizomba
musicians include Don Kikas, Calo Pascoal and Irmãos
Verdade, among many others, but Bonga is probably the best
known Angolan artist, having helped popularize the style both
in Angola and Portugal during the 1970s and 1980s.
Source: Wikipedia |
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Semba
is a traditional type of music from the Southern-African
country of Angola. Semba is the predecessor to a variety
of music styles originated from Africa, of which three of
the most famous are Samba (from Brazil), Kizomba (Angolan
style of music comparable to Zouk music) and Kuduro (or
Kuduru, energetic, fast-paced Angolan Techno music, so to
speak).
Barceló de Carvalho, the Angolan singer popularly
known as Bonga, is arguably the most successful Angolan
artist to popularize Semba music internationally; it generally
being categorised as World music.
The subject matter of Semba is often a cautionary tale regarding
day-to-day social events and activities, usually sung in
a witty rhetoric. Through Semba music, the artist is able
to convey a broad spectrum of emotions. It is this characteristic
that has made Semba the premiere style of music for a wide
variety of Angolan social gatherings. Its versatility is
evident in its inevitable presence at funerals and, on the
other hand, many Angolan parties.
Semba is very much alive and popular in Angola today as
it was long before that country's independence from the
Portuguese colonial system on November 11, 1975. Various
new Semba artists emerge each year in Angola, as they render
homage to the veteran Semba masters, many of whom are still
performing.
Source: Wikipedia
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Kuduro
(or Kuduru) is a type of music from Angola. It is
mostly influenced by Sungura, Afro Zouk (known as Kizomba
natively), Semba and Ragga music genres. It is characterized
as uptempo, energetic, and danceable.
The name itself is a word with a specific meaning to location
in the Kimbundu language, which is native to the northern
portion of Angola. It has a double meaning in that it also
translates to "hard ass" or "stiff bottom"
in Portuguese, which is the official language of Angola. Not
surprisingly, Kuduro is also a type of dance where, typically
(like Ragga, some forms of hiphop, and other afro-based musics)
the female dancer protrudes her derriere and swings it sensuously
to the rhythm of the hard-hitting Kuduro beat.
Kuduro is very popular across the former Portuguese colonies
in Africa, as well as in the outskirts of Lisbon, Portugal
(namely Amadora), due to the large number of Angolan immigrants.
White Portuguese often say Kuduro has racist lyrics against
white people, but this is mostly a myth caused by the use
of creole words that are often missunderstood.
The most well known in Kuduro is Angolan Helder - Rei do Kuduro
(King of Kuduro ). He is radicated in Lisbon . Despite, Se
Bem and Tony Amado are Considered to be the creators of this
musical genre.
The Angolan musician Tony Amado is said to have helped create
the genre, upon meeting U.S. based Ragga DJs. Some other known
names in Kuduro are: DJ Manya, DJ SL, DJ Davids, Helder -
Rei do Kuduro, Dog Murras, Tony Amado, DJ Nike, DJ João
Reis, DJ Beleza, DJ Joca Moreno, DJ Malvado, DJ Amorim, DJ
Paulo Jorge, DJ Baby T, Se Bem, Puto Prata, Noite e Dia, Fofandó,
among others.
The Kuduru movement was created in the suburbs of Luanda in
early 90's and now has become very popular music among young
people.
Source: Wikipedia |
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Hip
Hop (also spelled hip-hop or hiphop) is
both a music genre and a cultural movement developed in
urban communities starting in the 1970s, predominantly by
African Americans.[1] Coinage of the term hip hop is often
credited to Keith Cowboy, a rapper with Grandmaster Flash
& the Furious Five. Though Lovebug Starski, Keith Cowboy,
and DJ Hollywood used the term when the music was known
as disco rap, it is believed that Cowboy created the term
while teasing a friend who had just joined the US Army,
by scat singing the words "hip/hop/hip/hop" in
a way that mimicked the rhythmic cadence of marching soldiers.[2]
Cowboy later worked the "hip hop" cadence into
a part of his stage performance, which was quickly copied
by other artists; for example the opening of the song "Rapper's
Delight" by The Sugarhill Gang.[2] Afrika Bambaataa
is credited with first using the term to describe the subculture
that hip hop music belongs to, although it is also suggested
that the term was originally derisively used against the
new type of music.
Since first emerging in New York City in the 1970s, hip
hop has grown to encompass an entire lifestyle that consistently
incorporates diverse elements of ethnicity, technology,
art and urban life.
Source: Wikipedia
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Merengue
is a type of lively, joyful music and dance that comes from
the Dominican Republic. Merengue means whipped egg whites
and sugar in Spanish, similar to the English word meringue.
It is unclear as to why this name became the name of the music
of the Dominican Republic. But, perhaps, can trace its meaning
from the movement on the dance floor that could remind one
of an egg beater in action.
This style of music was created by Ñico Lora in the
1920s; however, it was promoted by Rafael Trujillo, the president
in the 1930s, and eventually became the country’s national
music and dance style. World famous Merengue singers include
Miriam Cruz & Las Chicas Del Can, Juan Luis Guerra, Wilfrido
Vargas, Sergio Vargas, Johnny Ventura, Kinito Mendez, Ravel,
Josie Esteban y la Patrulla 15, Pochy y su Cocoband, Fernando
Villalona,Cuco Valoy, The Freddie Kenton Orquestra, Elvis
Crespo and Conjunto Quisqueya. Other artists popular in the
Dominican Republic as of 2006 include Julian, Toño
Rosario, Aguakate, and Amarfis. Milly Quezada is known as
the Queen of Merengue.
Source: Wikipedia |
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©
BICOT 2009 |
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